Other main key aspects which are supposed to set it apart from its less arty stable-mates are the much touted "explicit" and shocking graphic sex scenes. If it were, it would be closer to the type of film it is pretending so hard to be distinct from. When Dafoe's character reaches the absurd "eureka" moment of substituting levels of fear for the levels of Maslow's Hierarchy of Needs it is, frankly, laughable.Īntichrist is not particularly thrilling or exciting or scary, but then I guess it's not supposed to be. Looking further back, the awesome confusion that arose between conversion hysteria and schizophrenia and the misrepresented psychobabble exposition for Norman Bates multiple personality in Hitch's Psycho is a work of deep and accurate psychological insight by comparison. theories and expositions yet expressed in a movie. Daring.ĭafoe's character, an anti-psychiatry therapist, drawls out the most pretentious sub-Freudian drivel and implements the most laughably inept psychotherapeutic formulations. We also get a glimpse of erect man muscle.
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It wears artistic pretensions clearly on its sleeve with slo-mo black and white sequences which bookend the movie and are filmed like ultra-crisp and sharp high definition segments from a Bergman feature. However, there are certain aspects that set Antichrist apart.
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Dafoe gets a manual drill-bit through the leg and a circular grind stone attached through the wound. Next we have gore and torture porn components, framed and presented in no more disturbing ways than in the Eli Roth Hostel movies. So we have a standard horror/thriller setup. There are even elements of Friedkin's schlocky The Guardian (1990) submerged in there somewhere. The images of dead and decaying wildlife, prey unto insects, are reproduced also. As in Long Weekend, nature becomes a sinister force playing a malevolent role in the narrative that unfolds, and Antichrist even replicates the cries of a "child" in the wilderness moment that distresses the female protagonist in that earlier film. Weird/freaky/disturbing events befall and violence and death ensues. Traumatised couple decant to an alien environment to try and rebuild their lives following tragedy and emotional upheaval. The plot cribs from some notable past masters of the genre - Dead Calm (1989), Don't Look Now (1973), Long Weekend (1978, 2008), to name but three. Now, before anyone starts yelling "it's not a horror flick" I'm going to tell you why it is. Whilst Boll is an errant hack with little or no cinematic skill or flair, Lars Von Trier is considered an "artist." He too has managed to craft a horror flick that isn't any fun. He managed to fashion one of the most boring, mindlessly gratuitous, unexcitingly violent, plodding, pointless, meaningless and downright time-wasting movies ever.
On that level he certainly achieved his objective.
His self-imposed agenda was to produce a horror film that wasn't any fun. Some while back, the consistently atrocious Ewe Boll made a film called Seed. Reviewed by bushtony 3 / 10 Oh, come on.that's the audience at the end
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