And Aishwarya Lekshmi who made an ordinary debut with this year’s ‘Njandukalude Nattil Oridavela’ nails it big time with her flawless performance in her second attempt.
NJANDUKALUDE NATTIL ORIDAVELA NARRATOR MOVIE
This is the beauty of the movie as it presents a lead female character that is politically flawed, selfish, who makes impulsive mistakes at times. She wants him in desperate hours of an audition for motivation but rejects him coldly later. She is very bold in her outlook of the present day relationship with Mathan but can be seen always vulnerable when it comes to confronting her mother who wants her to be a class woman. She scolds her brother for expressing opinion on campaigns like Kiss of Love, having conveniently found shelters of cafe cabins and cars for romantic escapades back in her college days, and inviting Mathan to spend the night in her mother’s house when nobody was around. She is independent yet not bold enough to successfully break the stereotypes in her family and as well as the society. In a more meaningful way the film belongs to Apu. It is heavily dependent on Mathan, Apu and their sophisticated relationship, how badly he wants her and how coldly she stays on a practical level. Meanwhile a team of three officers from Tamil Nadu police is aggressively behind Mathan for avenging the death of their colleague.Īs the title suggests, the film flows like a magical river in the direction its leads take us through. She initially rejects him coldly, but later accepts him into a casual relationship. Apu ( Aparna) is an aspiring actress still struggling to get a break through. After an operation goes wrong in which he accidentally kills a cop, he flees to Kochi where he hopes to get along back with his ex-girlfriend from college. Mathan ( Mathews) is making a living by assisting a small underworld gang in Chennai. Starring: Aishwarya Lekshmi, Tovino Thomas, Ilavarasu Posted on DecemUpdated on January 2, 2018 Read Also: Best of Malayalam Movies in 2016 The most technically sound movie of the year. Rating: 3 out of 5 9. EzraĬliched horror movie making but unfamiliar story. Njandukalude Nattil OridavelaĪ normal movie but made well and performed well. Here are our pick of Best 10 Malayalam Movies that got released in the year 2017. Mohanlal films did not make entry, and one Mammootty film managed to make the entry. Tovino Thomas has come up to be the dark horse. Coming to actors, Fahadh Faasil has continued his strong innings in top ten, whereas Dulquer Salmaan has ensured his presence as usual.
However, quality-wise there are a few good mentions. Whatever may be its BO fate, it's definitely a film with its heart in the right place.The year 2017 cannot be said as a great year for Malayalam cinema looking just at the count of good films that got released. But, at the same time, it's not your full-on fun ride as advertised or a mass entertainer poised to break records. Njandukalude Nattil Oridavela, is not a bad film or a badly-made film. In fact, it is rather a brave, heartfelt attempt at exploring a very relevant theme. While Aishwarya Lakshmi delivers what's expected of her, Srinda and Ahaana give realistic performances. Shanti Krishna makes a commendable comeback as Sheela, and Sharafudheen is responsible for the few genuine laughs. The actor sticks to his comfort zone of carefree antics, never stepping out of the range of expressions he can handle. Kurien, the relaxed, light-hearted youth, is a character tailor-made for Nivin. The girl informs him that her mother will be around somewhere crying and Nivin gives her his famous, clueless face asking 'what happened?' That moment precisely defines Njandukalude Nattil Oridavela, a film that zooms into dysfunctional families, insensitive kids who need a real shocker to get out of their self-indulgent reverie. The heroine's father is undergoing cancer treatment, and the hero is there for his mother's chemo session. In one of the post-interval scenes, we meet two carefree youngsters at a hospital. Njandukalude Natiil Oridavela is the story of Sheela, mother of Kurien (Nivin Pauly), Mary (Srinda) and Sarah (Ahaana Krishna). She is diagnosed with cancer. There are times when the film moves into the territory of an awareness video, but he deftly navigates it back. He also proves that you don't need oodles of reel time to make a character tick. You will find a kind of soft, subtle detailing, through which he maintains the realism. Althaf Salim, the debutant director, knows his craft, and has tried to tell his story with fact and feeling in equal measures.
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